Design, art, style, culture, food and brilliant stupidity.
“As in my previous self-referential works, my intention here is to create a piece where the image cannot be separated from its referent, thus creating a visual link between past and present. This concept naturally led me towards origami because of the reversible character of its initial two-dimensional square, and in so doing retain the physical marks of its creases.
In my series, the sheet of paper contains both the photographic and the material memories of its past origami form. Origami and paper are one and the same things at two different times, in two different spaces and in two different shapes.
The final piece is an unfolded photographic print where folds in the pictures blend with the actual folds, thus blurring the line between image and matter.”